Program Notes

New York Philharmonic String Quartet Program Notes by Linda Russell

many concert tours to display his prodigious talent. During the next ten years Mozart developed as a composer by imitating and expanding the various styles that he encountered during his travels Mozart’s string quartets span his life—from the earliest at age 15 to the more sophisticated compositions a year before he died. They also trace … Read more

Miwa Matreyek Performance Notes by Aimée Petrin

Dear Friends, I first saw Miwa perform several years ago in LA, her home base. I was immediately mesmerized by the imagery, soundscape and her presence on stage. I was captivated then and remain so. Miwa works at the intersection of performance and media. Her art exists in a dreamlike visual space that makes invisible worlds visible, often weaving surreal … Read more

Malpaso Dance Company Performance Notes by Aimée Petrin

Dear Friends, Inspired by dance lovers in our community, about a year ago we began to think about how to increase our commitment to the presentation of contemporary dance. This comes after more than a decade of consistently bringing to Maine no fewer than three high-caliber companies expressing a variety of aesthetics, styles, traditions, production scale and cultures. Collaborating … Read more

New Orleans Jazz Orchestra Notes by Aimée Petrin

Dear Friends, Thank you for joining us for New Orleans Jazz Orchestra. From Jelly Roll Morton to Louis Armstrong and Fats Domino all the way up to the revered Allen Toussaint – this performance is about the  music and musicians that make New Orleans great. One of the things that stands out about NOJO is their ability to … Read more

Avi Avital & Bridget Kibbey Notes by Aimée Petrin

Dear Friends, After three attempts and at least as many years, it is a thrill to finally bring to Portland Grammy nominated mandolinist Avi Avital. We are doubly fortunate to have with us his equally stellar collaborator Bridget Kibbey, credited as the “Yo-Yo Ma of the harp.” We are grateful you’ve chosen to spend your evening with … Read more

Avi Avital and Bridget Kibbey Program Notes by Linda Russell

court organist and chamber musician to the Duke of Weimar, came just five years later. During his tenure (1717-23) as Music Director at the court of Prince Leopold of Anhalt-Cöthen, Bach composed the majority of his instrumental chamber music. During this time Bach developed his instrumental style to supreme mastery, writing works for violin, cello, … Read more

MOMIX: ‘Viva Momix’ Notes by Aimée Petrin

Dear Friends, Dance is one of the most beautiful, visceral and expressive art forms. It can also be one of the most intimidating. Viewers often lament “I don’t get it” or “dance is too abstract” or that dance’s embodied form of storytelling doesn’t resonate with our verbal, linear brains. Or finally, “I don’t know how to … Read more

Gabriela Montero: ‘Westward’ Program Notes by Linda Russell

compositions by age six, a rudimentary opera at nine, and his first symphony at ten; he became a student at the St. Petersburg Conservatory at thirteen. During his study at the conservatory, Prokofiev gained respect for the music of Haydn and Mozart, for the elegant dance forms of the eighteenth century, and for the transparent sonority … Read more