performing arts

New Orleans Jazz Orchestra Notes by Aimée Petrin

Dear Friends, Thank you for joining us for New Orleans Jazz Orchestra. From Jelly Roll Morton to Louis Armstrong and Fats Domino all the way up to the revered Allen Toussaint – this performance is about the  music and musicians that make New Orleans great. One of the things that stands out about NOJO is their ability to … Read more

Avi Avital & Bridget Kibbey Notes by Aimée Petrin

Dear Friends, After three attempts and at least as many years, it is a thrill to finally bring to Portland Grammy nominated mandolinist Avi Avital. We are doubly fortunate to have with us his equally stellar collaborator Bridget Kibbey, credited as the “Yo-Yo Ma of the harp.” We are grateful you’ve chosen to spend your evening with … Read more

Avi Avital and Bridget Kibbey Program Notes by Linda Russell

court organist and chamber musician to the Duke of Weimar, came just five years later. During his tenure (1717-23) as Music Director at the court of Prince Leopold of Anhalt-Cöthen, Bach composed the majority of his instrumental chamber music. During this time Bach developed his instrumental style to supreme mastery, writing works for violin, cello, … Read more

MOMIX: ‘Viva Momix’ Notes by Aimée Petrin

Dear Friends, Dance is one of the most beautiful, visceral and expressive art forms. It can also be one of the most intimidating. Viewers often lament “I don’t get it” or “dance is too abstract” or that dance’s embodied form of storytelling doesn’t resonate with our verbal, linear brains. Or finally, “I don’t know how to … Read more

Improv on Immigration: Gabriela Montero Rocks Maine

By Linda Nelson, Portland Ovations Deputy Director Immigration. It is the hottest and most critical issue of our era. Pianist and Venezuelan ex-pat Gabriela Montero knows this dearly enough to have built a performance around what she called “a very emotional theme.” Montero’s unique program, “Westward,” was presented by Portland Ovations as part of an … Read more

Gabriela Montero: ‘Westward’ Program Notes by Linda Russell

compositions by age six, a rudimentary opera at nine, and his first symphony at ten; he became a student at the St. Petersburg Conservatory at thirteen. During his study at the conservatory, Prokofiev gained respect for the music of Haydn and Mozart, for the elegant dance forms of the eighteenth century, and for the transparent sonority … Read more

Beyond the Music with Deputy Director Linda Nelson

Let’s talk about the VISION in the music. “Voices Appeared,” The Orlando Consort January 24 at 7:30 pm, Hannaford Hall Joan of Arc was one of my heroes growing up. Was she one of yours? (Feel free to post your responses below.)   Whether the extremely young, visionary, cross-dressing French freedom fighter (and later canonized … Read more