Despite the prominence of Bach’s Brandenburg Concertos today, all but one of them were supposedly left unplayed until the nineteenth century. Join Nick Smolenski in a discussion about the invisible creativity of musicians and artists during the Baroque period, and how “rediscovery” informs our perception of their repertories.
ACCESSIBILITY
Wheelchair accessible. Assistive Listening Devices available, ASL available upon request. Click here to learn more about accessibility at Hannaford Hall.
Nick Smolenski is thrilled by the opportunity to support chamber music and the arts in Maine. He has a PhD in Musicology from Duke University. During his studies, Nicholas worked in development, project management, and assessment research for several humanities organizations (Project Vox, Society of Biblical Literature, Duke Rhodes Information Initiative). He continues his research as an independent scholar, and examines the varying intersections of sound, acoustics, liturgy, and the senses in seventeenth-century English culture.
2023-24 Chamber Pre-Performance Lecture Series curated by George Lopez

He has taken up the baton and built up the all-student Bowdoin College Orchestra which performs full symphonic programs each semester. He resides in Brunswick, Maine.